Musica Strasbourg 2019: press review

REVIEW

    

L'Humanité, September 27th, 2019, Maurice Ulrich

LIQUID ROOM Opening concert: Keeping the best
A dialectical jump...
Musica reconnected with the atmosphere of the 70's, forgetting the worst and keeping the best. (...)
An Ictus pot-pourri of musical pieces, hypnotic, subversive or crazy...
LINK to the paper


     

Le Figaro, October 1st, 2019, Christian Merlin

LIQUID ROOM Opening concert: Transcendent quality
(...) This concert of transcendent quality, played by fierce performers, enters the 21st century by asking more questions than it answers.
LINK to the paper


    

ResMusica , October 3rd, 2019, Guillaume Kosmicki

EINSTEIN ON THE BEACH: Ictus' stamp
(...) As every time he appropriates a repertoire work, Ictus Ensemble puts its special stamp on it by proposing a real new reading, rewarded by a prolonged standing ovation at the end of the performance.
LINK to ResMusica page


     

Ôlyrix, September 28th, Damien Dutilleul

EINSTEIN ON THE BEACH: An exceptional musical experience
(...) Those who crossed the finish line have for sure experienced an exceptional musical experience.
LINK to Ôlyrix page


        

Dernières Nouvelles d'Alsace, September 22nd, 2019, Hervé Lévy

LIQUID ROOM Opening concert: A real Manifesto
Back to the underground and experimental spirit of the seventies (...) This opening concert of the first festival directed by Stéphane Roth had the appearance of a real Manifesto.
Read the original French paper


    

ResMusica on line, September 26th, 2019, Michèle Tosi

LIQUID ROOM Opening concert: High Voltage Evening
The synopsis of the evening was flawless and the commitment of all musicians was galvanizing.
LINK to ResMusica page