DECEMBER 1st, 2017, Bijloke (Ghent)
Karlheinz Stockhausen Kontakte for piano, percussion and quadraphonic tape, 1958
Andrea Mancianti, Jerome Noetinger electronic performance
At the same concert
Karlheinz Stockhausen:
Signale zur Invasion | Cosmic Pulses
(1992 | 2007)
with Thomas Moore, trombone |
Klaas Verpoest, video installation
DECEMBER 2nd, 2017, Bijloke (Ghent)
Karlheinz Stockhausen Mikrophonie, 1964, for tamtam, 2 microphones, 2 filters and controllers
Andrea Mancianti Autophagy II : Mikrophobie for percussion, electric guitar and live electronics, 2016
Karlheinz Stockhausen Für Kommende Zeiten, 1969, version for six amplified musicians, AUDIO
Miquel Bernat percussion
Tom De Cock percussion
Gerrit Nulens microphonie, percussion, electronics
Jean-Luc Plouvier piano, DX7, filters
Andrea Mancianti electronics
Adrien Lambinet trombone
Jerome Noetinger Revox
François Deppe cello & ring modulator
Michael Schmid flute, microphonie
Maarten Stragier guitar
Electronics : Centre Henri Pousseur
The man who preached a tabula rasa response
– and his unfettered joy at leaving ‘an era of tasteless music’ behind him.
Four concerts (at Images Sonores in Liège and in the Bijloke in Ghent) offer a perfect opportunity to...
... rediscover the extra-ordinary fusion in Kontakte,
... relive the discovery of the microphone as a new instrument (Mikrophonie)
... and experience how Ictus interprets the text compositions of For Times to Come.
